TRANSFORMASI SAJIAN MUSIK GAMAD DALAM KONTEKS PERTUNJUKAN MODERN OLEH GAMAD PITUAH MINANG
DOI:
https://doi.org/10.24036/e5akmx09Keywords:
Transformation, Gamad Music, Gamad Pituah MinangAbstract
This study examines the transformation of Gamad music presentation in modern performance contexts by the Gamad Pituah Minang Group in Padang City. Gamad music is a traditional musical form of the Minangkabau community that emerged through the acculturation of Portuguese, Malay, and Minangkabau cultures, characterized by distinctive song structures, instrumental usage, and improvised pantun. Contemporary developments have encouraged changes in the presentation of Gamad music, one of which is reflected in the practices of Gamad Pituah Minang. This research employs a descriptive qualitative method. Data was collected through literature review, observation, interviews, and documentation. Data analysis was conducted by collecting, classifying, analyzing, and drawing conclusions from the research findings. The results indicate that Gamad Pituah Minang has carried out transformations through the development of musical arrangements, the use of modern instruments, adjustments in vocal techniques, and the utilization of digital media. Nevertheless, the fundamental structure of Gamad music is maintained, resulting in a generally positive public response toward the transformations implemented by the group. These findings demonstrate that Gamad music can continue to evolve without losing its Minangkabau cultural identity.
References
Anista, R. (2023). Transformasi Kebudayaan: Dampak Perkembangan Teknologi Dan Media Sosial. Jurnal Pendidikan Sosial Indonesia, 1(1), 35.
Annisa, & Pratama, F. S. (2022). Kemunculan Dan Perkembangan Musik Pop. Mozaik: Kajian Ilmu Se-jarah.
Asril. (2024). Music Gamad: Experiencing the Legacy of Portuguese Music in Indonesia Roots. Research Journal in Advanced Humanities, 5(4), 368–387. Https://Doi.Org/10.58256/M4y3h424
Barendregt, B. (2002). The Sound Of “Longing for Home”: Redefining A Sense of Community Through Minang Popular Music. Jstor, 158(3), 411–450.
Cinthya, A., & Bachrun, A. S. (2016). Kajian Terhadap Ruang Tata Panggung Teater Tradisional. Vitruvian, 5, 59–104. Http://Nolteater.Blogspot.Co.Id/2013/07/V-Behaviorurldefaultvmlo_18.Html
Darsono, A. (2024). Digital-Based Gamad Music Learn-ing. Shs Web Of Conferences, 197, 01001. Https://Doi.Org/10.1051/Shsconf/202419701001
Desyandri. (2015). Nilai-Nilai Edukatif Lagu-Lagu Minang Untuk Membangun Karakter Peserta Didik (Analisis Hermeneutik). Jurnal Pembangunan Pendidikan: Fondasi Dan Aplikasi, 3(2), 126–141. Http://Journal.Uny.Ac.Id/Index.Php/Jppfa
Dewi, V. E. (2019). Transformasi Musik Tradisional Rinding Gumbeng Perspektif Postkolonial. Virtuoso, 2(2).
Fikri, I. A., & Ardipal. (2019). Perubahan Struktur Dan Arransemen Musik Gamad Di Kota Padang. Gorga Jurnal Seni Rupa.
Firman, F., & Taher, A. (2018). Perubahan Kebudayaan Dan Perkembangan Musik Pop Minangkabau Di Indonesia. Journal Fakultas Universitas Negeri Padang. Https://Www.Researchgate.Net/Publication/328430386
Fitria, G. (2023). Musik Melayu Dalam Perspektif Industri Budaya. Journal On Education, 05(03).
Fretes, D. De, & Listiowati, N. (2020). Pertunjukan Musik Dalam Perspektif Ekomusikologi. Promusika, 8(2).
Hakim, U. (2022). Modul Musik Gamad. Departemen Sendratasik, Universitas Negeri Padang.
Hakim, U. (2024). Integration Of the Instagram Social Media Platform in Gamad Music Performance and Learning at Sendratasik Fbs Unp. Resital, 25(2), 338–356. Https://Doi.Org/10.24821/Resital.V25i2.13783
Jaohari, E. J., Purwanto, A., Sumayadi, Y., & Karyono, T. (2025). Transformasi Music Entertainment: Peran Teknologi Dalam Evolusi Seni Musik 3. Jurnal Budaya Nusantara.
Kuntowijoyo. (2006). Budaya Dan Masyarakat (Edisi Paripuna). Yogyakarta: Tiara Wacana
Maroza, Y., & Sukmayadi, Y. (2019). Arrangement Of Gamad Music as Creativity and Culture Preserva-tion for Traditional Music in Padang. Atlantis Press. Https://Doi.Org/10.2991/Icade-18.2019.75
Martarosa. (2016). Apropriasi Musikal Dan Estetika Musik Gamad. Resital. Http://En.Wikipedia.Org/
Meilinda, N. (2021). Resistensi Musisi Independen Terhadap Komodifikasi Dan Industrialisasi Musik Di Indonesia. Jurnal Komunikasi, 16(1), 77–88. Https://Doi.Org/10.20885/Komunikasi.Vol16.Iss1.Art6
Moleong, L. J. (2012), Metodologi Penelitian Kualitatif. Bandung: Pt Remaja Rosdakarya Offset.
Nofa, Y., Yuliarni, Pramayoza, D., Asril, & H, A. (2025). Aesthetics Of the Babuai Dance and The Transfor-mation of Tradition at The Singo Barantai Tradition-al Arts Institute, Padang. Jurnal Ekspresi Seni, 27(2). Https://Doi.Org/10.26887/Ekspresi.V26i1.5886
Nofridayati. (2012). Jurnal Ekspre,Si Seni. Jurnal Ekspresi Seni, 14.
Raystifa, A. (2021). Perkembangan Teater Modern Berbasis Tradisi Di Kota Padangpanjang. Melayu Arts And Performance Journal. Http://Kelola.Or.Id/Artist/Komunitas-
Rizaldi, Hendri, Y., & Wijaksana, B. (2018). Komposisi Musik Gamad Sebagai Bentuk Pengembangan Kesenian Melayu Minangkabau. Melayu Arts And Performance Jurnal, 1(2).
Saaduddin, & Novalinda, S. (2017). Pertunjukan Teater Eksperimental Huhh Hahh Hihh: Sebuah Kolaborasi Teater Tari. Jurnal Ekspresi Seni, 19(1), 1–111.
Suryadi. (2020). Audible Locality: The Recording Indus-try in Indonesia and Its Approach to Minangkabau Music and Oral Tradition. Bijdragen Tot De Taal-, Land- En Volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, 178(4), 542–544. Https://Doi.Org/10.1163/22134379-17804013
Suryadmaja, G., & Saearani, M. F. T. (2025). Studi Estetika Seni Pertunjukan Di Era Global. Cantata Deo: Jurnal Musik Dan Seni, 3(1), 71–86. Https://Doi.Org/10.69748/Jmcd.V3i1.339
Vardiansyah, Dani. (2004), Pengantar Ilmu Komunikasi, Ghalia Indonesia, Bogor.
Yunus Rasyid. (2016). Transformasi Nilai-Nilai Budaya Lokal Sebagai Upaya Pembangunan Karakter Bangsa. Jurnal Penelitian Pendidikan (Jpp).
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Tiara Diva, Uswatul Hakim

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.





