BENTUK PENYAJIAN TARI MENABUH RABANODI SANGGAR SENI DUA PUTRI, KECAMATAN SIULAK MUKAI, KABUPATEN KERINCI
DOI:
https://doi.org/10.24036/g8x3js06Keywords:
Performance, Rabano Drumming Dance, Dua Putri Art StudioAbstract
This study aims to describe and analyse the presentation form of the Menabuh Rabano Dance at the Dua Putri Art Studio, Siulak Mukai District, Kerinci Regency. This type of research is qualitative with a descriptive method. The research instrument is the researcher themselves, assisted with stationery, mobile phone and flash drive. Data was collected through literature study, observation, interviews and documentation. The steps to analyse the data include data collection, data reduction, data presentation and drawing conclusions. The results show that the presentation form of the Menabuh Rabano Dance at the Dua Putri Art Studio is a development of the traditional Rangguk Dance which still maintains the distinctive Rangguk movements as the cultural identity of the Kerinci community. Its presentation is characterised by more varied and dynamic processing, as well as an integration between movement and rhythm using the rabano as part of the performance. The performance of the Menabuh Rabano Dance at the Dua Putri Art Studio consists of several elements, including movement, dancers, props, music, venue and performance time, makeup and costume. The movements of the Menabuh Rabano Dance consist of Rabano Striking movements, Wing Stretch movements, Rabano Taking movements, nodding movements, Rabano Swinging movements, Finger Flick movements, Spinning and Rabano Swinging movements, Rabano Striking, Rabano Swinging, nodding movements, Graceful Turning movements, and Stepping movements. The number of dancers in the Menabuh Rabano dance performance is usually even. Musical instruments accompanying the dance include drums, flutes, keyboard, and crash cymbals. The prop used is the rabano. Makeup in the Nodding Menabuh Rabano dance uses beautiful makeup. The Menabuh Rabano Dance can be performed in two types of venues, namely engineered stages and non-engineered stages. Thus, the Menabuh Rabano Dance shows a form of presentation as a traditional-based creative dance that maintains cultural values while adapting to the times.
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