ANALISIS NASKAH DRAMA RAMAYANA DALAM PAGELARAN WAYANG KULIT OLEH DALANG GONDO SUMARNO DI DESA SARIMULYA

Authors

  • Putri Lestari Universitas Negeri Padang
  • Syeilendra Universitas Negeri Padang

DOI:

https://doi.org/10.24036/ee6x8s48

Keywords:

wayang kulit, Ramayana, performing art

Abstract

Wayang kulit is a traditional performing art form. This traditional performance serves both as entertainment and as a medium for conveying moral values and cultural education. One story frequently performed in wayang kulit performances is the Ramayana, a love story between the goddess Sinta and Sri Rama, who were separated by King Rahwana. Inspirational, containing the meaning of true loyalty. Therefore, I conducted a study aimed at analyzing the performing arts of the Ramayana story in the shadow puppet show in Sarimulya Village, Jujuhan Ilir District, Bungo Regency, Jambi Province. This study used a qualitative method with a descriptive approach. Data collection techniques were carried out through observation, interviews, and documentation with the main informant, puppeteer Ki Gondo Sumarno, who leads the wiyogo Sari Budaya Karawitan Studio. Data were processed through the stages of data reduction, data presentation, and conclusion drawing. The results of the study indicate that the shadow puppet show in Sarimulya Village is still preserved through the activities of the Wiyogo Sari Budaya Studio, which was founded in 1988. The puppeteer has an important role in driving the story, conveying character dialogue, and arranging the musical accompaniment. The Ramayana story was chosen because it contains moral values such as loyalty, responsibility, and the victory of truth over evil. Thus, the shadow puppet show not only functions as entertainment, but also as a medium for cultural and moral education for the community.

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Published

2026-10-24

How to Cite

ANALISIS NASKAH DRAMA RAMAYANA DALAM PAGELARAN WAYANG KULIT OLEH DALANG GONDO SUMARNO DI DESA SARIMULYA. (2026). Avant-Garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan, 1(1), 81-87. https://doi.org/10.24036/ee6x8s48

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