KEBERADAAN TARI KUDA LUMPING PAGUYUBAN TURONGGO MUDODI NAGARI KOTO GADANG KABUPATEN DHARMASRAYA
DOI:
https://doi.org/10.24036/9jdk2m13Keywords:
Keberadaan, Tari Kuda Lumping Paguyuban Turonggo MudoAbstract
Abstract
This research aims to uncover and describe the existence of the Kuda Lumping dance of the Turonggo Mudo group in Nagari Koto Gadang, Dharmasraya Regency. This type of research is qualitative with a descriptive analytical method. The research instruments include the researcher themselves, assisted by writing tools and a camera. Data was collected through literature study, observation, interviews, and documentation. The steps for analysing the data are data collection, data reduction, data description, and drawing conclusions. Research results show that the existence of Kuda Lumping dance of the Paguyuban Turonggo Mudo in Nagari Koto Gadang Dharmasraya is still developing and alive within the community life of Nagari Koto Gadang. Until now, Kuda Lumping dance is still performed regularly, especially during the annual celebration of Indonesia's Independence Day. This indicates that the art form not only has a place within the Javanese community but is also accepted and enjoyed by the Minang community as part of local cultural diversity. The Kuda Lumping art in the area serves various functions, including as a means of entertainment, a medium for symbolic communication, an economic driver, and a part of ritual activities. Thus, Kuda Lumping has become an integral part of the socio-cultural life of the Nagari Koto Gadang community.
References
Abidin, Zainal. (2007). Analisis Eksistensial. Jakarta: PT. Raja Grafindo Persada
Asriati, A. (2012). Tari Pasambahan dan Falsafah Minang dalam Perspektif Alim Ulama Kota Padang. Humanus, 11(2), 145-159.
Dibia, I Wayan. Widaryanti, FX. Suanda, Endo. (2006). Tari Komunal. Jakarta: Lembaga Pendidikan Seni Nusantara.
Indrayuda, I. (2014). Problematika Tari Minangkabau Dalam Dinamika Pertunjukan Industri Hiburan. Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora, 13(2), 64010.
Indrayuda. (2008). Tari Balanse madam Pada Masyarakat Nias Padang Sebuah. Perspektif Etnologi. UNP Press Padang
Indrayuda. (2012). Eksistensi Tari Minangkabau. Padang: UNP Press Padang
Indrayuda. (2013). Tari Sebagai Budaya dan Pengetahuan. UNP Press Padang
Khutniah, N., & Iryanti, V. E. (2012). Upaya Mempertahankan Eksistensi Tari Kridha Jati Di Sanggar Hayu Budaya Kelurahan Pengkol Jepara. Jurnal Seni Tari, 1(1).
Milanda, I., & Indrayuda, I. (2023). Perkembangan Tari Asaik Dilihat Dari Aspek Kegunaan dan Fungsi di Desa Paling Serumpun Kecamatan Hamparan Rawang Kota Sungai Penuh. Journal of Creative Student Research, 1(5), 21-30.
Rahmawati, I. (2021). Pelestarian Nilai-Nilaibudaya Pada Kesenian Kuda Lumping Di Kecamatan Tambusai Utara. Jurnal Budaya Nusantara, 5(1), 1-6.
Sinta, R., & Mansyur, H. (2020). Bentuk Penyajian Tari Galombang pada Acara Pesta Perkawinan di Jorong Koto Kociak Nagari Tujuah Koto Talago Kecamatan Guguak Kabupaten Limapuluh Kota. Jurnal Sendratasik, 9(4), 213-221.
Sugiyono. (2016). Metode Penelitian Kuantitatif, Kualitatif dan R&D. Bandung: PT Alfabet.
Sumaryono, Endo Suanda. (2012). Tari Tontonan. Jakarta: LPSN
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Rizka Fatiha Rahmi1, Herlinda Mansyur

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.





